Sacred Music (MLitt) 2021 entry
The MLitt in Sacred Music offers a unique interdisciplinary formation in Sacred Music for musicians, scholars, and leaders in artistic ministry. It is taught jointly by the School of Divinity’s Institute for Theology, Imagination and the Arts and the University of St Andrews Music Centre.
Key information
Course type
Postgraduate, leading to a Master of Letters (MLitt)
Course dates
- Start date: 6 September 2021
- End date: 30 September 2022
Information about all programmes from previous years of entry can be found in the archive.
Course duration
One year full time or two years part time
Entry requirements
- A good 2.1 undergraduate Honours degree and relevant experience in theology or music. If you studied your first degree outside the UK, see the international entry requirements.
- English language proficiency. See English language tests and qualifications.
The qualifications listed are indicative minimum requirements for entry. Some academic Schools will ask applicants to achieve significantly higher marks than the minimum. Obtaining the listed entry requirements will not guarantee you a place, as the University considers all aspects of every application including, where applicable, the writing sample, personal statement, and supporting documents.
Tuition fees
Home: £9,900
Overseas: £20,370
Application deadline
Wednesday 11 August 2021. Applicants should apply as early as possible to be eligible for certain scholarships and for international visa purposes.
Application requirements
- CV
- personal statement (300 to 500 words)
- sample of academic work in English (2,000 words)
- two original signed academic references
- academic transcripts and degree certificates
- evidence of English language proficiency (required if English is not your first language).
For more guidance, see supporting documents and references for postgraduate taught programmes.
Discover the MLitt in Sacred Music
Watch current staff discuss the MLitt in Sacred Music at the University of St Andrews.
Course information
The MLitt in Sacred Music is a one year full-time or two years part-time taught programme and is run jointly by the School of Divinity's Institute for Theology, Imagination and the Arts (ITIA) and the University of St Andrews Music Centre.
The course is aimed at those intending to carry out church music performance and leadership roles, clergy, and those seeking a self-contained programme of study in sacred music or planning to pursue doctoral research in the field.
Students will deepen their understanding of the theological and artistic underpinnings of sacred music-making, and, where applicable, will develop their practical skills of sacred music performance and leadership.
The University of St Andrews has a range of unique music facilities for Sacred Music students, including the new state-of-the-art Laidlaw Music Centre. Students will be supported by ITIA and Music Centre staff who have research and practical expertise in sacred music.
Highlights
- Develop skills relevant to your area of specialism in music making (e.g. composition, choral directing, organ, instrumental music in worship) or in music journalism and lecturing.
- Gain insights into the theological and philosophical underpinnings of music in worship, both in the past and in the present day.
- Study at the School of Divinity, based in the ancient St Mary’s College Quad, and at the University of St Andrews Laidlaw Music Centre.
- Receive expert tuition from musicians and scholars working actively in the field of sacred music, including Sir James MacMillan, composer and professor of Theology, Imagination and the Arts.
- Benefit from excellent music resources, including cutting-edge electronic music studios, a purpose-built recital hall, four pipe organs, and the acclaimed St Salvator’s Chapel Choir.
Teaching format
The programme consists of four taught modules taken over two semesters followed by either a 12,000-word dissertation or a practical project undertaken during the summer.
Students will learn through a mixture of lectures, seminars, practical workshops and one-to-one supervision or teaching.
Assessment comprises a combination of practical and theoretical methods. Practical assessment methods may include the musical performance of sacred music repertoire, a performance of originally composed sacred music or a live lecture presentation on a topic researched during the course.
Outwith the core requirements of the course, students are encouraged to attend ITIA’s weekly research seminar and participate in the vibrant musical life of the University.
Modules
Students are expected to take three core modules and one elective module followed by either a final dissertation or a practical project. Each module has varying teaching and assessment methods.
For more details of each module, including weekly contact hours, teaching methods and assessment, please see the latest module catalogue which is for the 2020–2021 academic year; some elements may be subject to change for 2021 entry.
- Music and the Sacred in Theory and Practice: introduces students to the wide diversity of music in its relation to the sacred, in and outside different denominational church contexts. It addresses topics such as the sacred in pop music, music theatre, and opera, as well as in contemporary Christian music, Gregorian and contemporary chant, traditional Catholic and Anglican music, and the relationship between music and liturgy in different Christian denominations.
- Making Music in a Church Context: invites students to reflect upon the practical role of a church musician in its different facets and contexts. In exploring roles such as choir director, organist, composer, and worship ensemble leader, students gain a better understanding of the technical, organisational, and interpersonal skills required for successful church music-making. Weekly seminars with specialist church music practitioners allow all students to engage critically with different types of church musicians. Specialist small group teaching allows theoretical insight to be developed alongside practice-based competency.
- Sacred Music in the West: History and Context: focuses on the history and development of sacred music-making in a variety of confessional traditions informed by Western musical practice. Students explore when, where, and why Christians have made music in their worship.
In Semester 2, students must pick an elective module. This elective module can either be from the Theology and the Arts MLitt or from another Divinity MLitt.
Examples of Theology and the Arts electives:
- Religious Experience and Aesthetic Theory
- Christian Doctrine and the Arts
- Theological Engagements with the Arts.
Elective choices are subject to the approval of the course coordinator and subject to change each year. Some also may require a minimum number of participants or only allow limited numbers of students (see the University's position on curriculum development).
The end-of-year assessment provides students the opportunity to draw together the theoretical, philosophical, and professional practice strands of the course. Students may choose from either a research or practical assessment.
Students choosing a research assessment must complete a 12,000-word dissertation on a topic in sacred music of their choice. Student dissertations will be supervised by members of the teaching staff who will advise students in their choice of subject and provide guidance throughout the research process.
Those choosing a practical project have the choice of either a recital of sacred music with a written exegesis of research on the programme (5,000 words) or a composition portfolio of sacred music with critical reflection (5,000 words).
If students choose not to complete the dissertation requirement for the MLitt, an exit award is available that allows suitably qualified candidates to receive a Postgraduate Diploma. By choosing an exit award, you will receive a PGDip instead of an MLitt.
The modules listed here are indicative, and there is no guarantee they will run for 2021 entry. Take a look at the most up-to-date modules in the module catalogue.
Conferences and events
The Institute for Theology, Imagination and the Arts (ITIA) is a vibrant community of established scholars, post-docs, and graduate students. The weekly research seminar, at which internal and guest speakers discuss their ongoing work, is at the heart of the institute’s day-to-day life.
The quarterly ITIA research forum allows graduates to discuss ongoing research and provides professional training for graduates.
Funding
Cookie Matheson Scholarship in Sacred Music (£10,000)
Candidates for the Cookie Matheson Scholarship must apply for the MLitt in Sacred Music and must submit a one-page letter detailing how they meet the criteria for the scholarship by email to divinitypg@st-andrews.ac.uk.
Candidates should demonstrate how they would seek to make a strong contribution to the musical life of the Chapel or University. They must also demonstrate how they would seek to make a strong contribution to the intellectual life of the Institute for Theology, Imagination and the Arts (ITIA) and the Music Centre in the area of sacred music.
The scholarship will be awarded on the basis of the candidate’s application materials and on their scholarship letter.
The final deadline for applications for the scholarship is 1 July 2021, and candidates will know whether they are successful by 17 July 2021.
Recent Graduate Discount
The University of St Andrews offers a 10% discount in postgraduate tuition fees to students who are eligible to graduate or who have graduated from St Andrews within the last three academic years and are starting a postgraduate programme with the University of St Andrews.
After the MLitt
Research degrees
In addition to the MLitt, the School of Divinity offers a two-year residential Master of Philosophy (MPhil) degree option in Theology and the Arts.
Many graduates continue their education by enrolling in PhD programmes at St Andrews or elsewhere.
Careers
The MLitt in Sacred Music will benefit those wishing to pursue a career as a church musician, or who are already active as church music makers.
Theology and Music, and Sacred Music, are growing fields of interdisciplinary scholarship, and this programme will also benefit those wishing to pursue doctoral study in the area.
The Careers Centre offers one-to-one advice to all students on a taught postgraduate course and offers a programme of events to assist students in building their employability skills.
Contact
Applications open in early autumn 2020. If you are interested in the programme or would like further information, please contact George Corbett (gc63@st-andrews.ac.uk) or Michael Ferguson (mcjf@st-andrews.ac.uk).
School of Divinity
University of St Andrews
St Mary's College
South Street
St Andrews
KY16 9JU
Phone: +44 (0)1334 46 2826
Email: divinitypg@st-andrews.ac.uk
Policies
Admission to the University of St Andrews is governed by our admissions policy.
Information about all programmes from previous years of entry can be found in the archive.
Curriculum development
As a research intensive institution, the University ensures that its teaching references the research interests of its staff, which may change from time to time. As a result, programmes are regularly reviewed with the aim of enhancing students' learning experience. Our approach to course revision is described online.
Tuition fees
The University will clarify compulsory fees and charges it requires any student to pay at the time of offer. The offer will also clarify conditions for any variation of fees. The University’s approach to fee setting is described online.